Checkpoint 8 · Reading: grammar & punctuation
Phrases and Clauses
Noun, verb, prepositional and adverbial phrases; main and subordinate clauses; defining and non-defining relative clauses; adverbial and embedded clauses — and how writers use them for effect, with exam practice.
British & IGCSE › Checkpoint 8 English (Cambridge Lower Secondary 0861)
Words join together into phrases, and phrases join into clauses. Checkpoint reading papers ask you to find the main clause, identify a subordinate or relative clause, and — most often — explain why a writer opened a sentence with a clause or a phrase. Your own writing reaches the top band in Grammar and punctuation only when you move clauses and phrases around for effect. This page teaches both, step by step. (How clauses combine into simple, compound, complex and compound-complex sentences is covered on the next page, Sentence types.)
Phrase or clause? The key difference
| Phrase | Clause | |
|---|---|---|
| Definition | A group of words that works as one unit, without a subject + verb pair | A group of words that has a subject and a verb |
| Example | in the morning · the old wooden boat · was running | the boat sank · because the wind rose · who lives next door |
| Can it be a sentence on its own? | Never | A main clause can; a subordinate clause cannot |
Ask two questions: Who or what? (the subject) and does/did what? (the verb). 'After the long journey' — who did what? No one: it is a phrase. 'After we finished the long journey' — *we* (subject) *finished* (verb): it is a clause.
Part 1: Phrases
A phrase is named after its most important word, the head. Learn these four main types first, then the special phrases that writers use for effect.
1. Noun phrase — a noun (the head) plus the words around it. An expanded noun phrase adds determiners, adjectives and extra information before or after the noun.
| Simple noun | Expanded noun phrase | What was added |
|---|---|---|
| a house | a crumbling stone house | adjectives before the noun |
| the house | the crumbling stone house at the end of the lane | + a prepositional phrase after the noun |
| the house | the crumbling stone house that nobody had visited for years | + a relative clause after the noun |
| a girl | a tall girl with a silver scarf | adjective + prepositional phrase |
Expanded noun phrases pack detail into one part of the sentence, so the reader gets a sharp picture quickly. They are named in the Grammar and punctuation marking descriptions for writing, so use them in every piece.
2. Verb phrase — the main verb plus any auxiliary or modal verbs: 'was running', 'has been waiting', 'might have forgotten', 'should leave'. The verb phrase carries the tense and the attitude (certainty, possibility, obligation).
3. Prepositional phrase — a preposition + a noun phrase: 'under the bridge', 'during the night', 'with a nervous smile', 'across the burning sand'. It can work like an adjective (describing a noun) or like an adverb (telling where, when or how).
| Sentence | Prepositional phrase | Job |
|---|---|---|
| The boy in the blue jacket waved. | in the blue jacket | adjectival — tells us which boy |
| The boy waved from the balcony. | from the balcony | adverbial — tells us where he waved |
| At midnight, the bell rang. | At midnight | adverbial — tells us when (fronted) |
4. Adverbial phrase — a group of words without a subject + verb that does an adverb's job (how, when, where, how often, why): 'very slowly', 'early the next morning', 'as quickly as possible', 'in a hurry', 'every few minutes'. Many adverbial phrases are prepositional phrases; some are built round an adverb ('very carefully').
When an adverbial phrase opens the sentence it is a fronted adverbial: 'Early the next morning, the fishermen set out.'
Special phrases writers use for effect:
| Phrase | How to spot it | Example | Typical effect |
|---|---|---|---|
| Participle (-ing) phrase | begins with an -ing verb and describes a noun | Clutching the letter, Mona ran down the stairs. | Shows two actions at once, adds pace |
| Past participle (-ed) phrase | begins with an -ed/irregular past participle and describes a noun | Exhausted from the climb, the hikers sat down. | Shows the character's state before the action |
| Gerund phrase | an -ing phrase used as a noun (subject or object) | Swimming in the Red Sea is my favourite memory. | Names an activity as the topic |
| Infinitive phrase | to + verb + extra words | To reach the summit before sunrise, we left at 3 a.m. | Shows purpose (why) |
| Appositive phrase | a noun phrase that renames the noun next to it, inside a pair of commas or dashes | Mr Fathy, our new head teacher, gave a speech. | Adds extra information without a new sentence |
'Running to the gate, he dropped his keys' — a participle phrase describing *he*. 'Running is good exercise' — a gerund (noun), the subject. 'He was running' — part of the verb phrase. Decide by the job the -ing word does.
Part 2: Clauses
A clause contains a subject and a verb. There are two big families.
| Main (independent) clause | Subordinate (dependent) clause | |
|---|---|---|
| Makes sense alone? | Yes — a complete thought | No — it needs a main clause |
| Usually starts with | the subject (or a fronted phrase) | a subordinating conjunction (because, although, when, if, while, since, unless, until, after, before, as) or a relative pronoun (who, which, that, whose) |
| Example | The market closed early | because a storm was coming |
In 'The market closed early because a storm was coming', the main clause is 'The market closed early' and the subordinate clause is 'because a storm was coming'.
- Find every verb in the sentence and its subject.
- Cross out any part that begins with a subordinating conjunction or a relative pronoun — that is a subordinate clause.
- Cross out any phrases (fronted adverbials, -ing phrases, prepositional phrases) that could be removed.
- What is left, and can stand alone as a sentence, is the main clause. Copy it exactly — do not add or leave out words.
Worked example. 'As the sun disappeared behind the hills, the shepherd, who had walked all day, gathered his flock.' Remove 'As the sun disappeared behind the hills' (subordinate clause — starts with *as*). Remove 'who had walked all day' (relative clause). Main clause: the shepherd gathered his flock.
Relative clauses: defining and non-defining
A relative clause is a subordinate clause that gives information about a noun. It begins with a relative pronoun (who, whom, whose, which, that) or with where / when for places and times. It usually comes straight after the noun it describes.
| Defining relative clause | Non-defining relative clause | |
|---|---|---|
| Job | Tells us which one — the information is essential | Adds extra information — the sentence still works without it |
| Commas? | No commas | Inside a pair of commas (or a pair of dashes / brackets) — extra information |
| 'that'? | Can use *that* | Never *that* — use *who* or *which* |
| Example | The students who finished early helped the others. (only those students) | My brother, who finished early, helped the others. (I have one brother; the clause is extra) |
| Example | The book that I borrowed is overdue. | The museum, which opened in 2023, attracts thousands of visitors. |
Remove the relative clause. If the sentence now means something different or is unclear ('The students helped the others' — which students?), it was defining. If the meaning stays the same and only a detail is lost ('My brother helped the others'), it was non-defining and needs commas.
whose shows possession: 'the boy whose bicycle was stolen'. whom is the formal object form: 'the guest whom we invited'. where/when: 'the café where we first met', 'the summer when everything changed'.
Why writers use relative clauses: to add detail about a person or place without starting a new sentence, to give background (a character's past, a fact about a place) at the moment it is needed, to make writing flow and, in non-defining clauses, to slip in an extra comment or opinion.
Adverbial clauses
An adverbial clause is a subordinate clause that works like an adverb: it tells us when, why, how, where, under what condition or in spite of what the main action happens. It begins with a subordinating conjunction.
| Meaning | Conjunctions | Example |
|---|---|---|
| Time | when, while, as, after, before, until, since, as soon as, whenever | As soon as the whistle blew, the crowd roared. |
| Reason / cause | because, since, as | We stayed inside because the dust storm was getting worse. |
| Condition | if, unless, provided that | If you leave now, you will catch the last train. |
| Contrast / concession | although, though, even though, whereas, while | Although the water was freezing, Adam dived in. |
| Purpose | so that, in order that | She whispered so that the baby would not wake. |
| Place | where, wherever | Wherever we looked, there was sand. |
| Manner / comparison | as, as if, as though | He spoke as if he had seen a ghost. |
When the subordinate clause comes first, put a comma after it: 'Although it was late, we kept walking.' When it comes after the main clause, you usually need no comma: 'We kept walking although it was late.'
Embedded clauses
An embedded clause is a subordinate clause placed inside a main clause, usually between the subject and its verb. Most embedded clauses are relative clauses, marked off by a pair of commas.
- Main clause: 'The lighthouse keeper refused to leave.'
- With an embedded clause: 'The lighthouse keeper, who had lived on the island for forty years, refused to leave.'
Effect: the writer interrupts the main clause to give a key detail at exactly the right moment. Here, the embedded clause explains *why* the refusal matters (he has spent his whole life there). It also slows the sentence down and adds weight before the verb.
Noun clauses (for strong students)
A noun clause does the job of a noun — it can be the subject or object of the verb. It often starts with *that, what, whether, how, why*.
- Subject: 'What she discovered in the attic changed everything.'
- Object: 'I never knew that my grandmother had been a pilot.'
Starting a sentence with a 'What…' noun clause delays the key information and creates curiosity.
How clauses and phrases create effect
Checkpoint very often asks why a writer placed a clause or phrase at the start of a sentence. Learn these possible effects so you can choose the one that fits the text.
| Writer's choice | Example | Possible effects you can write |
|---|---|---|
| Opening with a subordinate clause | Although she had trained for months, Laila felt her legs shake. | Builds suspense by delaying the main action. Emphasises the condition or contrast first. Shows a change/surprise. Varies sentence openings. |
| Opening with a prepositional phrase | Beneath the floorboards, something moved. | Sets the scene (where/when) first. Draws the reader into the setting. Creates mystery by placing the reader before revealing the action. |
| Opening with an adverbial phrase | Little by little, the crowd fell silent. | Shows how or when · controls the pace · can show a change in mood. |
| Opening with an -ing / -ed phrase | Gasping for breath, he reached the top. | Shows two actions or the character's state at once. Adds pace and drama. Focuses on feelings. |
| An embedded relative clause | The guard, who had not slept for two days, missed the signal. | Adds key background at the right moment. Explains an event. Slows the sentence for emphasis. |
| A long sentence built of many clauses | When the gates opened, the visitors poured in, pushing past the stalls, while the guides shouted … | Shows lots happening at once. Creates a sense of rush, chaos or excitement. Builds up tension. |
| Main clause placed last | Through the smoke, past the broken cars, over the fallen sign, she ran. | Holds back the key action to the end for a climax. Emphasises it. |
| A string of noun phrases | Lanterns, carpets, spices, copper pots, painted tiles. | Builds a rich picture · suggests abundance or busyness · can create a list-like rhythm. |
Question: 'Why does the writer begin the sentence with *Although she had trained for months*?' Answer: 'Opening with the subordinate clause emphasises how hard Laila had prepared, so when we read that her legs shook, the contrast shows how frightened she still is. It also delays the main clause, which builds tension.' — identify the choice + explain the effect on the reader.
Using clauses in your own writing
- Open some sentences with a subordinate clause, followed by a comma.
- Use at least one non-defining relative clause inside a pair of commas.
- Use an embedded clause to give background about a character or place.
- Use expanded noun phrases with a prepositional phrase or relative clause after the noun.
- Mix long, multi-clause sentences with very short main clauses for impact.
- Never let a subordinate clause stand alone as a sentence: ✗ 'Because the bus was late.' → ✓ 'We missed the start because the bus was late.'
- الـ clause فيها فاعل وفعل (subject + verb)، أما الـ phrase فليس فيها الاثنان معًا.
- الـ main clause تقدر تقف وحدها كجملة كاملة؛ الـ subordinate clause تبدأ غالبًا بكلمة مثل because أو although أو when أو who أو which ولا تقف وحدها.
- لما يطلب منك السؤال الـ main clause: احذف الجمل التابعة والعبارات، وانسخ الباقي كما هو بالضبط.
- لو سُئلت لماذا بدأ الكاتب الجملة بـ clause أو phrase: اذكر الأثر (تشويق، تأخير الحدث المهم، وصف المكان أولًا، إبراز التناقض) واشرح أثره على القارئ.
How Checkpoint asks about phrases and clauses
| Question shape (our wording) | What to do |
|---|---|
| 'Copy the main clause from this sentence.' | Use the crossing-out method, copy exactly. |
| 'Underline the subordinate clause.' | Find the part starting with a subordinating conjunction or relative pronoun. Underline to the end of that clause. |
| 'What type of clause is *which stood by the river*?' | A relative clause (non-defining if in commas). |
| 'Why does the writer start the sentence with a prepositional phrase?' | Name the effect: sets the scene / creates suspense / places the reader in the setting. |
| 'Explain how the adverbial phrase in line 8 shows a change of mood.' | Quote it. Say what change it signals (time passing, calm to fear) and how. |
| 'Tick the sentence that contains a relative clause.' | Look for who/which/that/whose/where after a noun with a subject + verb. |
Practice
Phrase or clause? (a) after the final whistle (b) after the final whistle blew (c) whose phone was ringing (d) with trembling hands
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(a) phrase — no subject + verb. (b) clause — 'the final whistle' (subject) + 'blew' (verb). (c) clause — 'phone' (subject) + 'was ringing' (verb); it is a relative clause. (d) phrase — a prepositional phrase.Copy the main clause: 'When the electricity failed, the shopkeeper, who had been expecting it, lit a row of candles.'
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the shopkeeper lit a row of candles — 'When the electricity failed' is an adverbial (time) clause and 'who had been expecting it' is a relative clause.Identify the type of phrase in bold: (a) To catch the early ferry, we woke at dawn. (b) The man in the grey coat looked worried. (c) Shivering in the wind, the children waited.
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(a) infinitive phrase — shows purpose. (b) prepositional phrase working as an adjective — it tells us which man. (c) participle (-ing) phrase — it describes 'the children'.Defining or non-defining? Add commas if needed. (a) The teacher who won the award is retiring. (b) Mrs Salma who won the award is retiring.
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(a) defining — it tells us which teacher. No commas. (b) non-defining — we already know who Mrs Salma is, so the clause is extra information: 'Mrs Salma, who won the award, is retiring.'Why is 'that' wrong here? 'The Nile, that is the longest river in Africa, flows north.'
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'That' cannot introduce a non-defining relative clause (one inside a pair of commas). Use 'which': 'The Nile, which is the longest river in Africa, flows north.'Expand this noun phrase twice — once with adjectives and once by adding a relative clause: 'a door'.
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Example answers: 'a heavy, iron-studded door' / 'a heavy, iron-studded door that had been locked for a hundred years'.Name the meaning of each adverbial clause: (a) Unless it rains, the match will go ahead. (b) Although he was tired, he finished the race. (c) She saved her pocket money so that she could buy a camera.
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(a) condition. (b) contrast/concession. (c) purpose.Text: 'Behind the dusty curtains of the abandoned theatre, something shifted.' Why might the writer open with the prepositional phrase? (2 marks)
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It places the reader in the dark, eerie setting before anything happens, which creates atmosphere. It also delays the vague main clause 'something shifted', so the reader is kept waiting and the sentence builds mystery and suspense.Find the embedded clause and explain its effect: 'The old fisherman, who had never once missed a morning at sea, stayed in bed that day.'
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Embedded clause: 'who had never once missed a morning at sea'. It gives background at exactly the right moment: because he had never missed a day, staying in bed seems strange and worrying, so the reader senses something is wrong.Correct this sentence fragment in two different ways: 'Because the roads were flooded.'
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1) Add a main clause after: 'Because the roads were flooded, school was closed.' 2) Add a main clause before: 'School was closed because the roads were flooded.'Text: 'Exhausted, sunburnt and hungry, the explorers finally saw the walls of the city.' What kind of phrase opens the sentence, and what is its effect?
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An adjective phrase (a list of describing words: the past participle 'exhausted' and the adjectives 'sunburnt' and 'hungry') placed before the subject. It shows the explorers' condition first, so the reader feels their suffering, which makes the moment they see the city feel like a relief and a reward.Which sentence contains a noun clause? A) The man who called you is here. B) What he said surprised everyone. C) When he called, we were out.
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B — 'What he said' is a noun clause acting as the subject of 'surprised'. A has a relative clause, and C has an adverbial (time) clause.Text: 'Through the market, past the spice stalls, under the archway and into the square, the boy ran.' Explain the effect of the structure. (2 marks)
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The series of prepositional phrases traces the boy's route step by step, creating a feeling of speed and movement. The main clause 'the boy ran' is held back until the end, so the action lands with emphasis and the sentence builds to a climax.Underline (write out) every subordinate clause: 'If you visit Luxor, you should see the temple that glows at sunset, although it is crowded.'
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'If you visit Luxor' (condition), 'that glows at sunset' (defining relative clause), 'although it is crowded' (contrast). Main clause: 'you should see the temple'.Combine into one sentence using a non-defining relative clause: 'My cousin lives in Aswan. She is a tour guide.'
Show answer
'My cousin, who lives in Aswan, is a tour guide.' or 'My cousin, who is a tour guide, lives in Aswan.' (The relative clause sits inside a pair of commas because it is extra information.)
Quick checklist
- I can tell a phrase from a clause with the subject + verb test.
- I can name noun, verb, prepositional and adverbial phrases, plus participle, infinitive and appositive phrases.
- I can find the main clause by crossing out subordinate clauses and phrases.
- I know defining (no commas, can use 'that') from non-defining (pair of commas, never 'that') relative clauses.
- I can name the meaning of an adverbial clause: time, reason, condition, contrast, purpose, place, manner.
- I can spot an embedded clause and explain its effect.
- I can explain why a writer opens with a clause or phrase, using at least two possible effects.
All pages in this course
Start here: the exam
Reading: grammar & punctuation
- Parts of Speech
- Phrases and Clauses
- Sentence Types, Kinds and Their Effects
- Connectives, Conjunctions and Linking Paragraphs
- Punctuation: Rules and 'Why Has the Writer Used...?'
- Grammar in Use: Tenses, Voice, Speech and Accuracy
Reading: understanding texts
- Text Types and Their Features
- Purpose, Fact and Opinion, and Viewpoint
- Inference, Main Ideas, Themes and Summary
- Language, Devices and Their Effects
- Vocabulary Skills: Context Clues, Word Parts, Idioms and Spelling
- Poetry and Drama: Elements, Types and How They're Asked
- Reading Exam Technique: Paper 1 and Paper 2
Paper 1 writing: non-fiction
- Paper 1 Writing Basics: Purpose, Format, Register and G.A.A.P.
- Autobiography
- Biography
- Recount
- Diary Entry
- Informal and Formal Letters
- Formal and Informal Emails
- Blog Post
- Magazine Article
- Newspaper Report — Writing Pack
- Non-Chronological Reports and Informational Texts — Writing Pack
- Opinion Writing — Writing Pack
- Persuasive Writing — Writing Pack
- Argumentative Writing: One-sided and Balanced (Discursive)
- Problem and Solution Writing
- Leaflet Writing
- Travel Writing (Travel Articles)
- Review Writing
- Instruction Writing
- Advice Writing
Paper 2 writing: fiction
- Fiction Writing Basics: Everything for Paper 2 Writing
- Describing a Setting
- Describing a Character
- Creating Suspense
- Science Fiction and Dystopian Stories
- Fantasy Stories
- Adventure Stories
- Horror Stories (Spooky, Not Gory)
- Mystery Stories
- Crime Mystery (Detective) Stories
- Realistic Fiction: STEAL and Imagery
- Fables and Fairy Tales
- Myths and Legends