Checkpoint 8 · Reading: grammar & punctuation
Parts of Speech
All nine word classes in depth — nouns, pronouns, verbs, adjectives, adverbs, prepositions, conjunctions, determiners and interjections — how a word changes class, how Checkpoint asks about them, and practice with answers.
British & IGCSE › Checkpoint 8 English (Cambridge Lower Secondary 0861)
Every word in a sentence has a job. The job is called its word class or part of speech. Checkpoint reading papers ask you to name word classes, find a word of a certain class in the text, and explain why a writer chose it. In your own writing, knowing the word classes lets you build richer sentences — which earns marks in Grammar and punctuation and in Vocabulary and language. This page covers every word class in depth, shows how one word can change class, and ends with exam-style practice.
- The nine word classes: noun, pronoun, verb, adjective, adverb, preposition, conjunction, determiner, interjection.
- The important sub-types: abstract, collective and proper nouns. Relative, possessive and reflexive pronouns. Modal and auxiliary verbs, infinitives and -ing forms. Comparative and superlative adjectives. Adverbs of manner, time, place and degree. Fronted adverbials.
- That a word's class depends on how it is used in the sentence, not on the word alone.
The nine word classes at a glance
| Word class | Its job | Examples |
|---|---|---|
| Noun | Names a person, place, thing, feeling or idea | teacher, Cairo, lantern, courage, team |
| Pronoun | Replaces a noun so we do not repeat it | she, them, mine, herself, who |
| Verb | Shows an action, a state or an event | run, seem, is, should, has finished |
| Adjective | Describes a noun or pronoun | ancient, quieter, the brightest |
| Adverb | Adds information to a verb, adjective, other adverb or whole sentence: how, when, where, how much | slowly, yesterday, outside, extremely |
| Preposition | Shows the relationship (place, time, direction) between a noun/pronoun and the rest of the sentence | under, during, towards, despite |
| Conjunction | Joins words, phrases or clauses | and, but, because, although, when |
| Determiner | Comes before a noun to show which one or how many | the, a, this, my, some, every, three |
| Interjection | A word or short phrase that shows sudden feeling | Oh! Ouch! Wow! Hmm. |
1. Nouns
A noun names something. If you can put 'the', 'a' or 'some' in front of a word, it is probably a noun (the river, a decision, some advice).
| Type | Meaning | Examples | Watch out |
|---|---|---|---|
| Common noun | A general name for a person, place or thing | city, doctor, bicycle | No capital letter unless it starts a sentence |
| Proper noun | The name of one particular person, place, organisation, day, month, event or title | Nour, Aswan, the Nile, Monday, Ramadan, the Red Cross | Always a capital letter |
| Concrete noun | Something you can see, touch, hear, smell or taste | sand, drum, perfume, bread | Most everyday objects |
| Abstract noun | An idea, feeling, quality or state you cannot touch | courage, freedom, anxiety, friendship, childhood, honesty | Often ends in -ness, -ity, -ment, -ion, -dom, -hood, -ship |
| Collective noun | One word for a group | team, crowd, flock, herd, committee, audience, fleet, swarm | Usually takes a singular verb in exam English: 'The team is ready.' |
| Countable noun | Can be counted, has singular and plural | pen/pens, child/children | Use 'many', 'few', 'a few' |
| Uncountable noun | Cannot be counted and has no normal plural | information, advice, water, furniture, luggage | Use 'much', 'little', 'a little'. Never 'advices' |
| Compound noun | Two words joined to make one noun | football, sunrise, bus stop, mother-in-law | Can be one word, two words or hyphenated |
Making abstract nouns. Checkpoint often asks you to find an abstract noun, so learn how they are built from other words:
| From | Suffix | Abstract noun |
|---|---|---|
| kind, dark, happy (adjectives) | -ness | kindness, darkness, happiness |
| able, curious, generous | -ity | ability, curiosity, generosity |
| agree, excite, achieve (verbs) | -ment | agreement, excitement, achievement |
| decide, celebrate, imagine | -ion / -tion / -ation | decision, celebration, imagination |
| free, wise, bored | -dom | freedom, wisdom, boredom |
| child, neighbour | -hood | childhood, neighbourhood |
| friend, leader | -ship | friendship, leadership |
Ask: 'Could I put it in a box?' You can put a lantern in a box (concrete). You cannot put hope in a box (abstract). In the exam, choose the clearest example the text offers — a feeling (fear, joy), a quality (patience, honesty) or an idea (justice, freedom) — rather than a borderline word.
Why writers use nouns. A list of concrete nouns builds a vivid picture ('baskets of dates, brass lamps, bolts of silk, piles of spices'). Abstract nouns name the big ideas of a text, so they often point to its theme ('Her loneliness grew each winter'). Proper nouns make writing feel real and specific.
2. Pronouns
A pronoun stands in for a noun. Pronouns save repetition, but the reader must always know which noun each pronoun refers to. Checkpoint sometimes asks 'Who or what does *it* refer to in line 6?' — this is called pronoun reference.
| Type | Words | Example |
|---|---|---|
| Personal — subject | I, you, he, she, it, we, they | They reached the oasis at dusk. |
| Personal — object | me, you, him, her, it, us, them | The guide warned us. |
| Possessive pronoun (stands alone) | mine, yours, his, hers, ours, theirs | The red tent is ours. |
| Reflexive pronoun (object = subject) | myself, yourself, himself, herself, itself, ourselves, yourselves, themselves | Omar taught himself to swim. |
| Relative pronoun (begins a relative clause) | who, whom, whose, which, that | The girl who found the map was my cousin. |
| Demonstrative pronoun | this, that, these, those (standing alone) | This is the best day of my life. |
| Interrogative pronoun | who, whom, whose, which, what (in questions) | Who left the gate open? |
| Indefinite pronoun | someone, anybody, nothing, everyone, none, each | Nobody answered. |
my, your, his, her, its, our, their come before a noun (my bag, their house). Grammar books often call them possessive adjectives; Cambridge calls them possessive determiners. mine, yours, hers, ours, theirs stand alone (The bag is mine). If an exam asks for a possessive pronoun, choose the one that stands alone. Also remember: its (belonging to it) has no apostrophe; it's = it is / it has.
Relative pronouns in detail. *Who/whom* are for people. *Which* is for things and animals. *That* can be used for people or things in a defining clause. *Whose* shows possession for people or things ('the tree whose branches touched the window'). *where* and *when* can also begin relative clauses about places and times ('the village where my father was born'); many grammar books call these relative adverbs, but they do the same job of joining information to a noun.
Reflexive pronouns are used when the doer and the receiver are the same ('She blamed herself'), or for emphasis ('The head teacher herself opened the door'). Never use them as a subject: ✗ 'Myself and Ali went' → ✓ 'Ali and I went'.
Why writers use pronouns. A first-person 'I' makes a text personal. The pronoun 'we' builds a team with the reader ('We all want cleaner streets'). The pronoun 'you' speaks directly to the reader (direct address, common in persuasive writing and advice). A story that hides a character's name and uses only 'he' or 'someone' creates mystery.
3. Verbs
A verb shows what someone does (action), what someone is or feels (state), or what happens. Every sentence needs a verb.
| Type | Job | Examples |
|---|---|---|
| Action (main) verb | A physical or mental action | sprint, whisper, decide, imagine |
| Linking verb | Links the subject to a description. Nothing is 'done' | be, seem, appear, become, look, feel, sound, taste, smell — 'The room seemed empty.' |
| Auxiliary (helping) verb | Helps the main verb form tenses, questions, negatives and the passive | be (is, was, are…), have (has, had), do (does, did) — 'She was reading.' 'They have left.' 'It was built in 1902.' |
| Modal verb | A special auxiliary that shows possibility, ability, permission, advice or necessity | can, could, may, might, will, would, shall, should, must, ought to |
| Infinitive | The base form, usually with 'to' | to explore, to win, (to) be |
| -ing form | Present participle (in continuous tenses or describing phrases) or gerund (used as a noun) | 'She is running.' (verb) / 'Running is my hobby.' (gerund = noun) |
| -ed form (past participle) | Used in perfect tenses, the passive and describing phrases | 'has finished', 'was broken', 'Exhausted, he sat down.' |
Modal verbs and their effects. Modals are tested often because they show the writer's attitude.
| Modal | Meaning | Example | Effect on the reader |
|---|---|---|---|
| must | strong necessity or certainty | We must protect the reef. | Urgent, forceful — common in persuasive writing |
| should / ought to | advice, duty | Visitors should stay on the path. | Firm but polite advice |
| can / could | ability, possibility, polite request | Students could walk to school. | Suggests an option, sounds reasonable |
| may / might | possibility, permission | The road might flood tonight. | Uncertainty, can build suspense |
| will / would | future, certainty, conditional | If we act now, we will succeed. | Confidence, a promise |
Regular and irregular verbs. Regular verbs add -ed for the past (walk → walked → walked). Irregular verbs change in their own way (go → went → gone · bring → brought → brought · fly → flew → flown · write → wrote → written). Using the wrong past form costs Grammar marks in your writing.
Active and passive. In the active, the subject does the action ('The storm destroyed the bridge'). In the passive, the subject receives it, using be + past participle ('The bridge was destroyed'). Writers use the passive to focus on what happened, or to hide who did it. (This is covered fully in Grammar in use.)
If a question asks for an infinitive, look for to + base verb (to escape, to understand). If it asks for a verb ending in -ing used as a noun, look for a gerund that acts as a subject or object ('Swimming in the sea calmed her'). An -ing word after 'is/was/were' is part of a continuous verb ('was swimming').
Why writers choose verbs. Precise verbs create pictures and mood: 'the boy trudged' (tired, unwilling), 'the boy darted' (quick, nervous), 'the boy swaggered' (confident, proud). In reading questions about the effect of a single word, the word is very often a verb.
4. Adjectives
An adjective describes a noun or pronoun. It can come before the noun ('a narrow alley') or after a linking verb ('The alley was narrow').
| Type | Examples |
|---|---|
| Descriptive (quality, colour, size, shape, age, feeling) | ancient, crimson, enormous, nervous, jagged |
| Comparative (comparing two) | taller, faster, more peaceful, better, worse |
| Superlative (the most of three or more) | tallest, fastest, most peaceful, best, worst |
| Compound adjective (hyphenated) | a well-known author, a short-lived friendship, a sun-baked road |
| Adjective of origin | Egyptian cotton, a Japanese garden |
| Rule | Comparative | Superlative |
|---|---|---|
| One syllable: add -er / -est | cold → colder | the coldest |
| One syllable ending consonant-vowel-consonant: double the last letter | big → bigger, hot → hotter | the biggest, the hottest |
| Two syllables ending in -y: change y to i | happy → happier, busy → busier | the happiest, the busiest |
| Most words of two or more syllables: more / most | careful → more careful | the most careful |
| Irregular | good → better · bad → worse · far → further/farther · little → less · many/much → more | best · worst · furthest · least · most |
Never write ✗ 'more taller', ✗ 'most happiest' or ✗ 'more better'. Choose one form only: ✓ 'taller', ✓ 'happiest', ✓ 'better'.
Order of adjectives. When you use several adjectives, the natural English order is: opinion → size → age → shape → colour → origin → material → purpose + noun. 'a beautiful small old round blue Egyptian glass perfume bottle' (in real writing, use two or three, not eight).
Why writers use adjectives. Adjectives build imagery and mood ('a damp, airless corridor' feels threatening). Superlatives exaggerate and persuade ('the most breathtaking view in Sinai'). A compound adjective packs a lot of meaning into one hyphenated word ('a short-lived victory' tells you it ended quickly).
5. Adverbs and adverbials
An adverb gives more information about a verb, an adjective, another adverb or a whole sentence. It answers how? when? where? how often? how much? Many adverbs end in -ly, but not all (fast, soon, here, very, never).
| Type | Question it answers | Examples |
|---|---|---|
| Manner | How? | quietly, carefully, fiercely, well, fast |
| Time | When? | now, yesterday, soon, later, already, then |
| Place | Where? | here, outside, nearby, upstairs, everywhere |
| Frequency | How often? | always, often, sometimes, rarely, never |
| Degree (intensifiers) | How much? To what extent? | very, extremely, quite, almost, too, barely |
| Sentence (comment) adverbs | What does the writer think about it? | Unfortunately, Surprisingly, Clearly, Luckily |
Adverbials. An adverbial is any word, phrase or clause that does an adverb's job. It can be one adverb ('Suddenly'), a phrase ('In the middle of the night', 'With great care') or a whole clause ('As soon as the bell rang').
A fronted adverbial is an adverbial moved to the front of the sentence, usually followed by a comma:
- 'Without warning, the lights went out.' (manner/time — creates shock)
- 'Beneath the old bridge, a small boat was waiting.' (place — sets the scene first)
- 'Later that evening, the visitors returned.' (time — moves the story forward and links paragraphs)
- 'Reluctantly, Hana handed over the key.' (manner — shows feeling before the action)
- To set the scene (where or when) before the action, so the reader can picture it.
- To create suspense or surprise by delaying the main action ('Slowly, very slowly, the door opened').
- To show the character's feelings or manner before we see what they do.
- To link to the previous paragraph and move time on (Later that day…, Meanwhile…).
- To vary sentence openings so the writing does not sound repetitive.
- To emphasise a detail by putting it in the first, most noticeable position.
Adjective or adverb? Adjectives describe nouns; adverbs describe verbs. 'She is a quick runner' (adjective → runner). 'She runs quickly' (adverb → runs). After linking verbs use an adjective: 'The soup smells good', not 'well'.
6. Prepositions
A preposition shows how a noun or pronoun relates to the rest of the sentence — usually in place, time or direction. It is always followed by a noun, pronoun or noun phrase, and together they make a prepositional phrase ('under the stairs', 'after lunch').
| Relationship | Prepositions | Example |
|---|---|---|
| Place | in, on, at, under, above, beside, between, among, behind, opposite | The cat hid beneath the car. |
| Direction / movement | to, from, into, onto, towards, through, across, along, past | We walked along the Corniche. |
| Time | at, on, in, before, after, during, since, until, for, by | During the storm, the power failed. |
| Other | with, without, about, despite, like, except, of, by (agent) | She smiled despite the pain. |
| Common confusion | Correct use |
|---|---|
| in / on / at (time) | at 7 o'clock, at night · on Monday, on 6 October · in April, in 2026, in the morning |
| in / on / at (place) | in a room, in Cairo · on the table, on the bus · at the door, at school |
| for / since | for + a length of time (for five years) · since + a starting point (since 2021) |
| arrive | arrive at a place (building) / arrive in a city or country — never 'arrive to' |
| good / interested | good at maths · interested in history · afraid of the dark |
Why writers use prepositions. A sentence that opens with a prepositional phrase ('Across the silent desert, …') places the reader in the setting first. A run of prepositional phrases can trace a journey ('down the stairs, through the kitchen and out into the rain'), which creates movement and pace.
7. Conjunctions
A conjunction joins words, phrases or clauses.
| Type | Words | What it does | Example |
|---|---|---|---|
| Coordinating (FANBOYS) | for, and, nor, but, or, yet, so | Joins two equal parts, e.g. two main clauses | It was late, but nobody wanted to leave. |
| Subordinating | because, although, though, when, while, if, unless, since, until, after, before, as, even though, as soon as, whereas | Begins a subordinate clause and links it to a main clause | Although it was late, nobody wanted to leave. |
| Correlative (pairs) | either…or, neither…nor, both…and, not only…but also, whether…or | Joins two balanced ideas | Not only was it late, but it was also raining. |
Words such as however, therefore, moreover, meanwhile, consequently link ideas but are not conjunctions: they are conjunctive adverbs (connectives). They usually start a new sentence and take a comma: 'It rained all day. However, the match went ahead.' Words like 'despite', 'due to' and 'without' are prepositions, not conjunctions: they are followed by a noun phrase, not a clause.
- Addition — and, not only…but also: the writer adds more evidence or detail.
- Contrast — but, yet, although, whereas: the writer shows a change or an unexpected result.
- Cause — because, since, as: the writer explains why something happens.
- Result — so: the writer shows a consequence.
- Time — when, while, after, until, as soon as: the writer orders events or shows two things happening together.
- Condition — if, unless: the writer shows what must happen first.
8. Determiners
A determiner comes before a noun (and before any adjectives) to show which thing or how many. 'the old house', 'three brave sailors'.
| Type | Words | Example |
|---|---|---|
| Articles | a, an (indefinite) · the (definite) | a storm · an hour · the storm I told you about |
| Demonstratives | this, that, these, those (+ noun) | those mountains |
| Possessives | my, your, his, her, its, our, their | their village |
| Quantifiers | some, any, many, much, few, a few, little, a little, several, every, each, all, no | a few friends · little hope |
| Numbers | one, two, first, second | two tickets |
a or an? It depends on the first sound: a university (you-), a European city · an hour (silent h), an honest man.
few / a few and little / a little. 'A few' and 'a little' are positive (some, enough). 'Few' and 'little' are negative (not enough): 'Few people came' sounds disappointing; 'A few people came' sounds fine.
'This is my brother' — *this* stands alone, so it is a demonstrative pronoun. 'This book is mine' — *this* comes before a noun, so it is a determiner. The same test works for that, these, those, some, many and each.
9. Interjections
An interjection is a word or short phrase that expresses sudden emotion or a reaction. It often stands alone or is followed by an exclamation mark or a comma: Wow! Ouch! Oh no! Hooray! Phew! Hmm, Oops! Alas!
Interjections belong in speech, informal writing and stories (they make dialogue sound real and show a character's feelings instantly). Avoid them in formal letters, reports and articles.
One word, different classes
You can only name a word's class by looking at its job in this sentence. This is a favourite exam trap.
| Word | Sentence | Class | Why |
|---|---|---|---|
| light | Turn on the light. | noun | a thing, follows 'the' |
| light | Please light the candle. | verb | an action |
| light | Her bag was light. | adjective | describes the bag |
| fast | He ran fast. | adverb | tells how he ran |
| fast | It was a fast car. | adjective | describes the car |
| fast | They fast during Ramadan. | verb | an action |
| after | We left after lunch. | preposition | followed by a noun |
| after | We left after the film ended. | conjunction | followed by a clause (subject + verb) |
| running | She is running. | verb | part of a continuous verb |
| running | Running keeps me fit. | noun (gerund) | the subject of the sentence |
| running | the running water | adjective (participle) | describes 'water' |
| round | a round table / walk round the lake / the final round | adjective / preposition / noun | describes / shows direction / names a thing |
- لا تحكم على الكلمة وحدها؛ انظر إلى وظيفتها في الجملة: هل تسمّي شيئًا (noun)؟ هل هي فعل (verb)؟ هل تصف اسمًا (adjective)؟ هل تصف فعلًا أو صفة (adverb)؟
- لو قبلها the أو a فهي غالبًا اسم. لو بعدها اسم فقط فهي غالبًا preposition، ولو بعدها جملة فيها فاعل وفعل فهي conjunction.
- الاسم المعنوي (abstract noun) هو شيء لا تقدر تلمسه: courage, freedom, sadness.
- اكتب اسم نوع الكلمة كاملًا وصحيحًا؛ الإجابة القريبة لا تأخذ درجة.
How Checkpoint asks about parts of speech
Word-class questions are usually worth 1 mark each, but they appear in many papers. These are the common question shapes (in our own words):
| Question shape | What to do |
|---|---|
| 'Find an abstract noun in paragraph 2.' | Look for an idea or feeling (often -ness, -ity, -ment, -ion). Copy one word exactly. |
| 'What word class is the word *X* in line 4?' | Read the whole sentence · decide its job · write the full term (e.g. 'adverb'). |
| 'Tick the sentence where *Y* is used as an adjective.' | Test each option: does the word describe a noun in that sentence? |
| 'Circle the relative pronoun.' | Find who/which/that/whose at the start of a clause that gives more information about a noun. |
| 'Why has the writer used the modal verb *must*?' | Say what it shows (necessity, urgency, certainty) and its effect on the reader. |
| 'Explain the effect of the adverb *X* at the start of the sentence.' | Say what it tells us (how/when/where) and why putting it first matters (suspense, emphasis, scene-setting). |
| 'Who or what does *it* refer to?' | Look back to the nearest sensible noun before the pronoun. |
| 'Find two adjectives that show the place is dangerous.' | Choose describing words linked to danger, and copy them exactly. |
Name the word class and its meaning, then explain the effect. Example: 'The verb crept suggests the fog moved slowly and silently, like a living creature, which makes the setting feel threatening.' One sentence identifying + one sentence explaining the effect usually earns both marks.
Practice: identify the word class
Read each question, decide your answer, then open the answer to check.
Text: 'The committee met in the library. Their disappointment was obvious, and nobody wanted to speak first.' (a) Find a collective noun. (b) Find an abstract noun. (c) Find an indefinite pronoun.
Show answer
(a) committee — one word for a group of people. (b) disappointment — a feeling that cannot be touched (verb 'disappoint' + -ment). (c) nobody — it refers to no particular person.What word class is 'brave' in each sentence? (a) 'She was brave.' (b) 'He braved the storm.'
Show answer
(a) adjective — it describes 'she' after the linking verb 'was'. (b) verb — 'braved' is the action (past tense).Text: 'Karim taught himself to play the oud, which belonged to his grandfather.' Name the class and type of (a) himself (b) to play (c) which (d) his.
Show answer
(a) reflexive pronoun — the subject and object are the same person. (b) infinitive (to + base verb). (c) relative pronoun — it begins a clause giving more information about the oud. (d) possessive determiner — it comes before the noun 'grandfather'.Which sentence uses 'before' as a conjunction? A) We prayed before breakfast. B) We prayed before we ate breakfast. C) I have seen this before.
Show answer
B — 'before' is followed by a clause with a subject and verb ('we ate'). In A it is a preposition (followed by a noun). In C it is an adverb of time.Correct the error: 'This is the most cheapest ticket.'
Show answer
'This is the cheapest ticket.' Do not use 'most' with an -est superlative.Text: 'Silently, the fox slipped under the fence.' (a) Find the adverb of manner. (b) Find the preposition. (c) Why might the writer put the adverb first?
Show answer
(a) Silently. (b) under. (c) It is a fronted adverbial: it tells us how the fox moved before we know what it did, which builds suspense and makes the movement feel secret and careful.Choose the correct determiner: 'There is (few / little) water left, so we must be careful.'
Show answer
little — 'water' is uncountable, and 'little' (without 'a') shows there is not enough.Text: 'Visitors must not feed the animals.' What does the modal verb 'must' show, and why is it used in a sign or leaflet?
Show answer
It shows a strong rule or necessity (not feeding is required). In a sign or leaflet it gives a clear, firm instruction that the reader should obey.Name the word class of 'well' in: (a) 'She sings well.' (b) 'They drew water from the well.' (c) 'Well, I think we should go.'
Show answer
(a) adverb of manner — how she sings. (b) noun — a thing. (c) interjection (a discourse word showing hesitation).Find the abstract nouns: 'After years of hardship, the family finally found happiness and peace in their new home.'
Show answer
hardship, happiness, peace — all are states or feelings you cannot touch. ('years' is a common noun for a period of time; 'family' and 'home' are common nouns too.)Text: 'The ship sank because a storm hit the coast.' Identify the conjunction and say what relationship it shows.
Show answer
because — a subordinating conjunction showing cause (it explains why the ship sank).Which word is NOT a preposition? A) beneath B) during C) although D) towards
Show answer
C) although — it is a subordinating conjunction (it is followed by a clause).Text: 'Wow! The view from the top was even more beautiful than I had imagined.' (a) Find an interjection. (b) Find a comparative adjective phrase. (c) What text types would suit an interjection like this?
Show answer
(a) Wow. (b) more beautiful (than…). (c) Informal texts and stories — a diary, a blog, a travel recount, dialogue in a story — not a formal report or letter.In 'The tired runners finally crossed the finish line', what class is 'finish'?
Show answer
noun: here 'finish' is part of the compound noun 'finish line' (a noun used in front of another noun to describe it). It is not a verb because it names no action in this sentence.Rewrite with a possessive pronoun instead of the noun phrase: 'That umbrella is my umbrella.'
Show answer
'That umbrella is mine.' ('mine' is a possessive pronoun because it stands alone.)Text: 'Beyond the gate, an ancient, crumbling wall stretched endlessly into the distance.' Explain the effect of the adjectives 'ancient' and 'crumbling'. (2 marks)
Show answer
'Ancient' shows the wall is extremely old, and 'crumbling' shows it is falling apart, so together they suggest the place has been abandoned for a long time. This creates a mysterious, slightly eerie atmosphere and makes the reader wonder what lies behind it.
Quick checklist
- I can name all nine word classes and give two examples of each.
- I can spot abstract, collective and proper nouns, and form abstract nouns with suffixes.
- I know the difference between possessive pronouns (mine) and possessive determiners (my).
- I can find relative pronouns and reflexive pronouns.
- I can identify modal and auxiliary verbs, infinitives and -ing forms, and explain what a modal shows.
- I form comparatives and superlatives correctly and never double them.
- I know adverbs of manner, time, place, frequency and degree, and I can explain a fronted adverbial.
- I can tell a preposition from a conjunction by what follows it.
- I always decide a word's class from its job in the sentence.
All pages in this course
Start here: the exam
Reading: grammar & punctuation
- Parts of Speech
- Phrases and Clauses
- Sentence Types, Kinds and Their Effects
- Connectives, Conjunctions and Linking Paragraphs
- Punctuation: Rules and 'Why Has the Writer Used...?'
- Grammar in Use: Tenses, Voice, Speech and Accuracy
Reading: understanding texts
- Text Types and Their Features
- Purpose, Fact and Opinion, and Viewpoint
- Inference, Main Ideas, Themes and Summary
- Language, Devices and Their Effects
- Vocabulary Skills: Context Clues, Word Parts, Idioms and Spelling
- Poetry and Drama: Elements, Types and How They're Asked
- Reading Exam Technique: Paper 1 and Paper 2
Paper 1 writing: non-fiction
- Paper 1 Writing Basics: Purpose, Format, Register and G.A.A.P.
- Autobiography
- Biography
- Recount
- Diary Entry
- Informal and Formal Letters
- Formal and Informal Emails
- Blog Post
- Magazine Article
- Newspaper Report — Writing Pack
- Non-Chronological Reports and Informational Texts — Writing Pack
- Opinion Writing — Writing Pack
- Persuasive Writing — Writing Pack
- Argumentative Writing: One-sided and Balanced (Discursive)
- Problem and Solution Writing
- Leaflet Writing
- Travel Writing (Travel Articles)
- Review Writing
- Instruction Writing
- Advice Writing
Paper 2 writing: fiction
- Fiction Writing Basics: Everything for Paper 2 Writing
- Describing a Setting
- Describing a Character
- Creating Suspense
- Science Fiction and Dystopian Stories
- Fantasy Stories
- Adventure Stories
- Horror Stories (Spooky, Not Gory)
- Mystery Stories
- Crime Mystery (Detective) Stories
- Realistic Fiction: STEAL and Imagery
- Fables and Fairy Tales
- Myths and Legends